These paintings are not about horse-portraiture in the traditional sense. The horse here is merely a means to an end, a cultural asset complementing transatlantic connections; it is a symbol of protest and a demand for reorganization, mutual strengthening and unity, a new beginning born of curiosity and trust, not cold conditioning; a weapon to shed collective burdens and be free for new preferences. It is a cry for help; it is simply about existence, about the existence of all.