The paintings are like something out of a dissection table, but the meaning remains half-baked, unsystematic, and prone to error. There needs to be more system and structure, an epilogue of processes and digressions, everything much broader, more comprehensively grasped. These are global dimensions.

narrative
insight

EAST GERMANY 2012 – 2025

AMERICAN's

Why paint a horse beautifully? Who cares, cares cares. Why paint anything beautifully at all?

 

Who says it’s beautiful? That’s just a categorization, a prejudice. It could also be that the smoothness disturbs you more than the gestural quality, and then I’ve already won.

 

No, you haven’t won yet, because then come the questions, and you won’t like them.

 

Okay, I’ll wait.

SEABISCUIT
SECRETARIAT
SEATTLE SLEW
ECLIPSE
(18th c., Britain)